“To ask for a map is to say, “Tell me a story.”
– Peter Turchi, Maps of the Imagination: The Writer as Cartographer (2004)
Cities have always fascinated us. They have also served as muses for writers, poets, filmmakers, painters and travelers. As nations across the globe increasingly urbanise, cities continue to grow into more complex reflections of our aspirations, habits and rituals. The city shapes its individuals who in turn shape the city. To speak of a city is to speak of its people and their relationships, interactions, attachments, emotions – love, hate, envy, disappointment, courage, tolerance – with each other and the spaces that they inhabit.
The map presents one of the most primitive forms of how humans oriented themselves and others in space. Be it the clay tablets of Mesopotamia, or the extravagant maps of colonists and discoverers sailing across oceans in quest of new lands and territories, maps have served as records of how mapmakers saw, interpreted and communicated the world to their audience. Maps can be technically accurate representations and guides of the earth’s terrain, but they are also reflections of their makers’ individual or collective ideologies and agendas.